{"id":24051,"date":"2026-05-22T12:57:13","date_gmt":"2026-05-22T10:57:13","guid":{"rendered":"https:\/\/www.france.no\/?p=24051"},"modified":"2026-05-22T12:57:40","modified_gmt":"2026-05-22T10:57:40","slug":"francois-truffaut-retrospektiv-pa-cinemateket-i-oslo","status":"publish","type":"post","link":"https:\/\/www.france.no\/no\/2026\/kultur\/film\/francois-truffaut-retrospektiv-pa-cinemateket-i-oslo\/","title":{"rendered":"Fran\u00e7ois Truffaut-retrospektiv p\u00e5 Cinemateket i Oslo"},"content":{"rendered":"\n

Cinemateket i Oslo<\/a> hyller Fran\u00e7ois Truffaut<\/strong>, en av de sentrale figurene i den franske nye b\u00f8lgen, med et utvalg av \u00e5tte filmer<\/strong> – like lekne som krevende. <\/p>\n\n\n\n

Truffaut d\u00f8de bare 52 \u00e5r gammel i 1984, men rakk likevel \u00e5 lage 21 spillefilmer, samtidig som han var journalist og filmkritiker. For ham skulle ikke film forst\u00e5s – den skulle f\u00f8les.<\/p>\n\n\n\n

P\u00e5 programmet<\/strong><\/p>\n\n\n\n

Les Quatre Cents Coups (1959)<\/strong> <\/p>\n\n\n

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En av grunnsteinene i den nye b\u00f8lgen. Truffaut skildrer med selvbiografisk \u00f8mhet pr\u00f8velsene til den 13 \u00e5r gamle Antoine Doinel. Til tross for alvoret i temaet er tonen lett og stilen lekende – de m\u00f8rkeste barndomsminnene behandles med humor, de lyse \u00f8yeblikkene med vemod.<\/p>\n\n\n\n

All informasjon her<\/a>!<\/p>\n\n\n\n

Tirez sur le pianiste (1960)<\/strong> <\/p>\n\n\n

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Etter konas selvmord begynner den talentfulle men sjenerte pianisten Charlie \u00e5 jobbe som barmusiker, og vikles tragisk inn i br\u00f8drenes kriminelle aktiviteter. I samarbeid med kamerafotograf Raoul Coutard leker Truffaut med filmmediet og leverer sin personlige variant av den amerikanske gangsterfilmen – lett og trist, hard og musikalsk p\u00e5 \u00e9n gang.<\/p>\n\n\n\n

All informasjon her<\/a>!<\/p>\n\n\n\n

Jules et Jim (1962)<\/strong> <\/p>\n\n\n

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Jules, en romantisk og tilbakeholden \u00f8sterriker, og Jim, en avslappet franskmann, blir venner p\u00e5 Montparnasse i 1912. Sammen forelsker de seg i Catherine (Jeanne Moreau), og danner et uvanlig trekantforhold som f\u00f8lges gjennom over tjue \u00e5r. En sjelden balanse mellom humor og alvor, letthet og dybde.<\/p>\n\n\n\n

All informasjon her<\/a>!<\/p>\n\n\n\n

La Peau douce (1964)<\/strong> <\/p>\n\n\n

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En litteraturkritiker innleder et forhold til en flyvertinne, mens han fors\u00f8ker \u00e5 bevare ekteskapet sitt. Truffaut beskriver selv filmen som \u00ab en antipoetisk forestilling om kj\u00e6rlighet, det motsatte av Jules et Jim \u00bb. Fortalt som en frenetisk thriller, er denne kj\u00e6rlighetshistorien som gj\u00f8r vondt en av hans mest undervurderte filmer.<\/p>\n\n\n\n

All informasjon her<\/a>!<\/p>\n\n\n\n

Baisers vol\u00e9s (1968)<\/strong> <\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

Antoine Doinel, n\u00e5 voksen, fortsetter sin klossete og r\u00f8rende jakt p\u00e5 kj\u00e6rligheten. Filmen ble laget med et minimalt manus og mye rom for improvisasjon. Energisk og episodisk, blander den humor, poesi og letthet – og skapte skandale blant norske kritikere da den hadde premiere i 1969.<\/p>\n\n\n\n

All informasjon her<\/a>!<\/p>\n\n\n\n

La Nuit am\u00e9ricaine (1973)<\/strong> <\/p>\n\n\n

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Under innspillingen av filmen Meet Pamela<\/em> r\u00e5der kaoset – mellom skuespillernes turbulente kj\u00e6rlighetsliv og regiss\u00f8rens ensomme netter (spilt av Truffaut selv). En varm og morsom refleksjon over filmverdenens baksider. Filmen ga Truffaut hans eneste Oscar for beste utenlandske film i 1974.<\/p>\n\n\n\n

All informasjon her<\/a>!<\/p>\n\n\n\n

L’Argent de poche (1976)<\/strong> <\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

I byen Thiers retter Truffaut et \u00f8mt og oppmerksomt blikk mot en gruppe barns liv. I utkanten av de voksnes verden – ofte klumsete, ut\u00e5lmodige og lite empatiske – leker barna, utforsker og forelsker seg. Et gledelig motstykke til Les Quatre Cents Coups<\/em>, om enn ikke uten m\u00f8rke undertoner.<\/p>\n\n\n\n

All informasjon her<\/a>! <\/p>\n\n\n\n

Vivement dimanche ! (1983)<\/strong> <\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Truffauts siste film – en romantisk komedie med innslag av krim, som hyller Hollywood p\u00e5 1940-tallet og hans idol Hitchcock. Et filmtestament fullt av referanser og spenning, holdt oppe helt til siste bilde.<\/p>\n\n\n\n

All informasjon her<\/a>! <\/p>\n","protected":false},"excerpt":{"rendered":"

Cinemateket i Oslo hyller Fran\u00e7ois Truffaut, en av de sentrale figurene i den franske nye b\u00f8lgen, med et utvalg av \u00e5tte filmer – like lekne som krevende. Truffaut d\u00f8de bare 52 \u00e5r gammel i 1984, men rakk likevel \u00e5 lage 21 spillefilmer, samtidig som han var journalist og filmkritiker. For ham skulle ikke film forst\u00e5s […]<\/p>\n","protected":false},"author":6,"featured_media":23982,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"class_list":["post-24051","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film"],"yoast_head":"\nFran\u00e7ois Truffaut-retrospektiv p\u00e5 Cinemateket i Oslo - Institut fran\u00e7ais<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.france.no\/no\/2026\/kultur\/film\/francois-truffaut-retrospektiv-pa-cinemateket-i-oslo\/\" \/>\n<meta property=\"og:locale\" content=\"nb_NO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fran\u00e7ois Truffaut-retrospektiv p\u00e5 Cinemateket i Oslo - Institut fran\u00e7ais\" \/>\n<meta property=\"og:description\" content=\"Cinemateket i Oslo hyller Fran\u00e7ois Truffaut, en av de sentrale figurene i den franske nye b\u00f8lgen, med et utvalg av \u00e5tte filmer – like lekne som krevende. Truffaut d\u00f8de bare 52 \u00e5r gammel i 1984, men rakk likevel \u00e5 lage 21 spillefilmer, samtidig som han var journalist og filmkritiker. 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